A great survey of the 1980s performance art scene, the era of Annie Sprinkle, Karen Finley, Carolee Schneeman, even Sandra Bernhard and RuPaul. Scheider's book is both personally compelling and theoretically rich. She was obviously in New York City for the 80s, catching the downtown performances that launched a thousand Jesse Helms speeches. Wonderful observations from the front line and the front row, a perspective too often missing from academic works about performance. Schneider is also an expert guide through the theoretical precedents for the body as stage; the book offers original and relevant readings of Walter Benjamin, Judith Butler, and Jaques Lacan. Explicit Body is illustrated with a terrific photographs, invaluable documentation of a vital and dynamic period. (The juxtaposition of Cindy Sherman's gross-out work with a Gianfranco Ferre advertisement had me laughing out loud.) Highly recommended for anyone interested in the performative side of gender studies, commodity fetishism, and queer theory.